This event is all ages.
$75.00 – General Admission
*plus applicable service fees
For an additional $85.00, you can opt in to upgrade your experience to include access to the exclusive Emerald Room before, during and after the show! Please note all Emerald Room upgrades are subject to availability.
All doors & show times subject to change.
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HAIM
Musically, the multiplatinum GRAMMY® Award-nominated trio of Southern California sisters Este, Danielle, and Alana Haim trace a winding path through genres and musical eras—similar to how Ventura Boulevard paves its way through a myriad of Los Angeles suburbs and neighborhoods. Since 2012, the group have made a mark on their own terms with eclectic songcraft in the studio and electrifying performances on stages worldwide. Garnering four career GRAMMY® nominations to date, they stand out as “the first all-female rock group to be nominated in the GRAMMY® category of ‘Album of the Year’” for 2020’s Women In Music Pt. III. The latter represented a critical high watermark. Not only did it land on multiple year-end Top 10 lists, but Pitchfork hailed it as “far and away their best.” Prior, they released the gold-certified Days Are Gone [2013] and Something To Tell You [2017]. Over the course of a decade, they have also notched two #1 debuts on the UK Albums Chart and two Top 10 entries on the Billboard 200.
Buzzy Lee
Buzzy Lee is the new artist project of Los Angeles performer, writer, and actress Sasha Spielberg. Sasha is a storyteller by nature, and as Buzzy Lee, she demonstrates a rare ability to detail a dark scene in just a few words – the novels within the margins, the stark, vivid characters she portrays. She’s also a humorist, a writer and singer capable of depicting poignant scenes awash with sorrow and sarcasm, phrased savagely and delicately, her voice at times plaintive, at other times soaring.
Buzzy Lee’s debut EP Facepaint, produced by acclaimed electronic artist and frequent collaborator Nicolas Jaar, is a collection of five songs that began, in true Sasha fashion, as voice notes on an iPhone – vague impressions, fraught with restlessness and self-doubt. If you know Sasha, you know that she is equally hilarious and pensive, disarmingly self-deprecating, as comfortable entertaining as she is prone to ruminating. So, of course the collection of haunting melodies on Facepaint derived from and existed primarily as a collection of random voice notes – wistful indulgences, gentle jealousies, interactions reenacted and reexamined.